“一带一路”不仅需要政策、设施、贸易、金融和民心“五通”的协同推进，而且需要文化传播先行。中国民族舞蹈以其非语言文字文化的特殊性成为中华文化不可缺少的组成部分，在当今“一带一路”建设中扮演着极其重要的纽带角色。本文以中国民族舞蹈的东南亚传播模式为研究对象，以哈罗德·拉斯韦尔提出的“5W”模型经典传播学为理论依据，对“一带一路”倡议下中国民族舞蹈在东南亚传播的主体、内容、渠道、受众和效果进行分析，并提出符合时代发展的传播策略，为新时代中国民族舞蹈构建海外传播体系提供参照。
“The Belt and the Road” requires not only policy，infrastructure，trade，finance，and the confidence of the people “ five” synergy，and the spread of culture. The Chinese national dance to the particularity of its non language culture to become an integral part of Chinese culture，in today’s strategy of “area” in the play and important link role，Propagation mode of folk dance in China based on southeast Asia as the research object，by Harold，he put forward “five” w model of classical communication as the theoretical basis，the strategy of “area” all the way down the spread of the Chinese national dance in southeast Asia the main body，content，channels，audience and effect analysis，and put forward to meet the Propagation strategy of the development of era，new era to build overseas Chinese national dance Propagation system to provide reference.
