纵观幸田露伴的创作生涯,《浪滔天》和《命运》是他创作之路上的两个重要转折点。以这两部作品为里程碑,露伴完成了从作家到学者再到学者型作家的身份转变。他这一时期的研究活动并非因为对创作的厌离,而是为突破创作瓶颈而进行的积极探索。值得注意的是,经历长篇小说创作失败后的露伴,不再满足于小说的框架内部的尝试,史传也成为他的探索方向之一。《赖朝》的问世便是他创作风格的又一次蜕变,也是考察其中后期创作时不容忽视的内容。本文以露伴创作过程中“敬神”主题意识的建立过程为切入点,通过比较“敬神”主题在其体裁创作中的不同体现,研究和分析露伴的《赖朝》以及同期创作的《浪滔天》等作品,对《赖朝》中的体裁意识的展开进行全面细致的考察。
Throughout the creative career of Koda Rohan,The Billows Dashing to the Skies and Fate are two important turning points in his creative journey. Taking these two works as milestones,Rohan completed the identity transformation from a writer to a scholar,and then to a scholar-writer. His research activities were not due to his distaste for creation,but an active exploration to break through the bottleneck of creation. It is worth noting that after experiencing the failure of writing novels,Rohan was no longer satisfied with just trying within the framework of novels,and historical biographies also became one of his exploration directions. The publication of Yoritomo is another transformation of his creative style,and it is also something that cannot be ignored when examining his later creations. This research takes the establishment of the awareness of the theme of “god worship” in Rohan’s creation process as the starting point,and by comparing the different manifestations of the theme of god worship in his genre creation,studies and analyzes Rohan’s Yoritomo and the works of the same period such as The Billows Dashing to the Skies,conduct a comprehensive and detailed examination of the development of genre consciousness in Yoritomo.