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夏目漱石与比较文学——以《文学论》为考察中心

文章摘要

夏目漱石是享誉世界的近代日本作家,但鲜为人知的是,他还是日本乃至世界比较文学学科的开拓者和先行者。《文学论》是其作为学者的代表作,亦堪称比较文学的典范之作。该书不仅运用了比较文学跨学科的研究方法,将心理学、社会学、绘画艺术等纳入对文学的考察和论述,而且大量使用平行研究的方法,表现出超越时代的比较文学的学科观念与世界文学眼光。《文学论》的学理性不仅渗透在他本人的文学创作之中,还漂洋过海影响到周作人、成仿吾等一部分中国现代作家的文学观和文学理论的形成。

Abstract

Natsume Soseki is a world-renowned modern Japanese writer,but it is little known that he is also the pioneer and forerunner of comparative literature in Japan and even in the world. His Literary Theory is his representative work as a scholar and also a model of comparative literature. The book not only used the interdisciplinary research methodology of comparative literature,including psychology,sociology and painting,etc.,into the investigation and discussion of literature,but also made an extensive use of the parallel research methodology,showing the advanced concept of comparative literature and the vision of world literature. The idea of Literature Theory not only penetrated into his own literary creation,but also influenced the formation of some modern Chinese writers’ literary ideas and theories such as Zhou Zuoren and Cheng Fangwu.

作者简介
寇淑婷:寇淑婷,文学博士,四川大学文学与新闻学院副教授,博士生导师,主要研究方向为东方文学与文论、中日比较文学。