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日本江户诗坛唐、明诗的离与合

文章摘要

唐诗和明诗的关系是日本江户诗坛的重要话题。一方面,它是明清时期中国诗坛“唐、明并论”现象的延续;另一方面,由于唐诗、明诗的“相似”,如何从体式、语言、声调等方面将两者剥离,成为江户后期诗坛必须解决的问题。江户时期对唐诗和明诗的讨论,深化了诗坛对汉诗创作的体认,也使当时的唐宋诗之争从时代论逐渐转向风格论,推动了日本汉诗创作的本土化进程。

Abstract

The relationship between Tang and Ming poetry was an important topic in the “Tang-Song Poetry Controversy” in the Edo period of Japan. On the one hand,it is a continuation of the phenomenon of “Matching Tang-Ming poetry” in the Ming and Qing dynasties;on the other hand,due to the “similarity” of Tang and Ming poems,how to separate the two of form,language,tone and other aspects has became a problem that had to be solved in the poetry circle of the late Edo period. The discussions of Tang and Ming poems deepened the Edo poetry world’s understanding of Chinese poetry,and gradually shifted the debate between Tang and Song poems from periodism to stylism,promoting the localisation of Chinese poetry in Japan.

作者简介
何振:何振,文学博士,安徽师范大学文学院讲师,主要研究方向为域外汉学、明清诗学。