龟兹和高昌在古代是亚洲丝绸之路上文化交流的枢纽，从汉以降，其历来是中原汉文化与印度—伊朗雅利安人文化的交汇地。由于波斯帝国强大的文化辐射力，龟兹高昌艺术在图案范式上受到古波斯艺术的较多影响；同时，龟兹高昌艺术也吸收中原艺术，还是中原绘画艺术对波斯细密画艺术产生影响的重要媒介。因此，龟兹高昌艺术又反之对波斯伊斯兰化之后兴起的细密画艺术产生了深刻影响。本文较多地采用了国内学界较少涉及的波斯方面的图像资料，以期对国内学界的相关研究有所补充。
Qiuci and Gaochang were the hubs of cultural exchange along the Asian Silk Road in ancient times. Since han Dynasty，Qiuci and Gaochang have always been the intersection of Chinese culture in central China and Indo-Iranian-Aryan culture. Due to the powerful cultural radiation of the Persian Empire，Qiuci-Gaochang art was greatly influenced by the ancient Persian art in its pattern. At the same time，Qiuci-Gaochang art also absorbed Chinese art，and was an important medium to influence Persian Miniature art. Therefore，the art of Qiuci-Gaochang had a profound influence on Persian Miniature art after the Islamization of Iran. This paper mainly uses the images data of Iran，which is seldom involved in domestic academic circles，in order to supplement the relevant researches in domestic academic circles.
