This article focuses on the “broom” imagery from Wucun’s syunkyoujyou in the third year of Anei to investigate the relationship between the broom and Han Shan and Shi De under Wucun’s pen. By way of the classical form，Wucun successfully achieved the Rizoku of Haikai. Not only Wucun’s act inherited Basyou’s thought on fuekiryuukou，but he also exhibits an attempt to enhance the literariness of Haikai，thus completing the turn of the role from Haijin to Bunjin. Wucun supplements Hokku with Haiga in a way that expands and furthers the poetic depths of Haiga. As such，the image and the word are juxtaposed with the same level of importance. The image is no longer a mere supplement to Hokku，but possesses an equal amount of symbolic weight as the word. In doing so，the whole work presents itself in a mutually constitutive relationship between images and poetic words.