波兰导演帕维乌·帕夫利科夫斯基的电影《冷战》经常被当作黑白摄影的典范，但是其思想价值尚有待人们认识，它是帕夫利科夫斯基创作思想的一个延续，这部影片跳出了固化、僵死的冷战叙事思维的窠臼，是同时对“乌托邦叙事”与“反乌托邦叙事”的拒绝，是进入“后苏联时间”的真正的尝试。
Polish director Pawel Pawlikowski’s film Zimna Wojna was often hailed as an example of black-white photography，but the ideological value of this film also deserves study. This film is a continuation of Pawlikovski’s thoughts on artistic creation. Zimna Wojna is freed from the stereotypical Cold War mentality and rejects both Utopian and Anti-utopian narratives. It is a genuine attempt to enter the “post-Soviet time”.
