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对流行影视中文化价值观的审视

  • 作者:牛学智出版日期:2017年07月
  • 报告页数:11 页
  • 报告字数:10119 字所属丛书:
  • 所属图书:文化发展论丛 2017年第1卷
  • 浏览人数:0    下载次数:1

文章摘要

当下中国影视剧创作价值观极其混乱,原因很多,但就最突出的而言,主要有两个方面。一是对狭隘的文化传统主义特别信奉,二是对当前中国突出的社会问题采取有意回避的态度。本文通过对近年来十分流行的“韩剧”以及《致青春》《小时代》《港囧》《夏洛特烦恼》,包括中国电视节目《爸爸去哪儿》等的分析,指出正是由于狭隘的文化传统主义,造成了影视剧制作者只注重消费传统的道德伦理而忽视了对人的现代化、现代社会机制的艺术表现,才导致了大众文化艺术一边倒的消费性倾向,也因此从根本上歪曲了文化自觉的本意。

Abstract

The values of the film and TV production are very disordered in current China,which might has many reasons. However,the most prominent reason can be drawn from the following two aspects:on the one hand,people believe in parochial cultural traditionalism;on the other hand,people take the attitude of shunning serious social problems in current China. This article is going to analyze some popular Korean dramas,the films of “To a Youth”,“The Small Times”,and “Port of Stopping Charlotte’s Troubles” as well as a Chinese TV program named “Dad,Where Are We Going”,from which to point out that with near-sighted cultural traditionalism some film and TV producers focus only on the consumption of the traditional moral ethics and ignore the artistic expression of the modernization of social mechanism and humanity today. That encourages the consumption-oriented tendency in mass culture and art,and fundamentally distorts cultural consciousness. Parochial cultural traditionalism is also the reason why there is a one-sided tendency of consumers for mass culture art,which fundamentally distorts cultural consciousness.

作者简介
牛学智:牛学智(1973~),宁夏社会科学院副研究员。研究方向为中国当代文学、文化研究,代表作有文学理论专著《当代批评的众神肖像》《当代批评的本土话语审视》等。