西双版纳傣雅支系的织锦工艺因其地域环境及社会条件而具有不同于其他傣族支系的独有特质，近年来这种特质的边界却产生了日益模糊的趋向，其工具、制作流程、艺术审美及社会功能开始融汇了傣泐支系及现代文化的各种元素，这与国家非物质文化遗产保护政策和市场经济的干预密不可分。以上偶然情境中，傣雅的织锦作为整体文化图示的一部分以历史的方式在实践中被再生产和重新评估，历史与现实并接意义下社会关系的分立和织锦者的意志不断推进着傣雅织锦工艺文化的变迁。
Since in the peculiar geographical and social environment，Daiya's brocade has its own characte-ristics distinctive from other Dai branches in Xishuangbanna. Recently these characteristics have been hardly identified. Affected by Intangible Cultural Heritage （ICH） Protection Policy and modern market system，the tools，procedure，aesthetic interest and fuctions of Daiya brocade become mix Daile brocade and some modern culture elements together. In the contingency situation，Daiya brocade，as a part of its cultural entity and something historical，has been reproduced and reestimated. In conjunction between history and reality，the transmission of brocade culture are drived by separation of Daiya's social relationship and the will of brocade inheritors.
